备注： 类型：韩国剧剧情,言情
地区/年代：美国/2010
主演：妮可·基德曼,艾伦·艾克哈特,黛安·韦斯特,迈尔斯·特勒,坦米·布兰查德,吴珊卓,吉安卡罗·埃斯波西托,乔恩·坦尼,斯蒂芬·梅尔勒,麦克·道尔,罗伯塔·瓦拉赫,帕特丽夏·考莱姆伯
简介：霍维（艾伦·艾克哈特AaronEckhart饰）和贝卡（妮可·基德曼NicoleKidman饰）原本过着悠哉快活的中产阶级生活，夫妻恩爱，儿子丹尼乖巧伶俐，但是一场车祸夺去丹尼的性命，也彻底摧毁霍维夫妇的生活。贝卡从此将自己禁锢在家中，虽然试图通过各种方法消解心中的悲痛，然而她久久无法将儿子的身影从记忆中抹去；霍维试图装作一切从未发生，结果反与妻子的关系日益紧张，争吵不断。贝卡偶然遇见那个导致儿子死亡的高中男孩，她开始有意识地去接近他。烦躁孤独的霍维，则似乎正寻找一个心灵的港湾……本片根据大卫·林赛-阿贝尔（DavidLindsay-Abaire）的百老汇同名戏剧改编。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/1989
主演：比利·克里斯托,梅格·瑞恩,凯丽·费雪,布鲁诺·柯比,斯蒂芬·福特,丽莎·简·波斯基,米歇尔尼卡斯特罗,格蕾琴帕尔默,Robert,Alan,Beuth,David,Burdick,Joe,Viviani,哈莉·简·科扎克,Joseph,Hunt,凯文鲁尼,Franc,Luz,特雷西赖纳,凯尔·T·赫夫纳,Estelle,Reiner,John,Arceri,Kuno,Sponholz,康妮·索耶
简介：莎莉（梅格·瑞恩饰）开车载哈利（比利·克里斯托饰）前往纽约，两人就此相识。途中二人言语相左，不欢而散，并留下经典的问题：“排除‘性’的介入，男人和女人可以成为真正的朋友么？”五年后。两人在机场不期而遇。此时，莎莉沉浸于新恋情的甜蜜，而哈利即将步入正式的婚姻生活。哈利告诉莎莉：“在两人各有所爱的时候，男人和女人或许可以成为朋友，但很快他们会质疑为什么要与只能做朋友的人交往。”莎莉佛袖而去。十年后。失恋中的莎莉再次偶遇刚刚离婚的哈利。哈利对莎莉说：“我们要成为朋友了么？你或许是我不想带上床的第一位迷人女性。”临睡前的通话，共度圣诞，为彼此的感情出谋划策，哈利与莎莉有着不可言喻的默契。然而，这真的是一段美丽友谊的开始么？又或者这悄然来临的是错认了的感情呢……
备注： 类型：韩国剧剧情,言情
地区/年代：日本/2018
主演：高杉真宙,Lynn,藤井雪代,内田雄马
简介：“没有名字的我，没有未来的她” 对他人毫无兴趣，总是独自一人读书的高中生“我”。这样的“我”有一天，偶然捡到一册写着《共病文库》的文库本。那是，天真烂漫的班上人气王·山内樱良私下记录的日记本。里面记载着她身患胰脏的疾病，已经时日无多……。 隐藏自己的疾病度过日常的樱良，与知晓其秘密的“我”。 ——两人的距离，还没有名字。
备注： 类型：韩国剧剧情,言情
地区/年代：西班牙/2010
主演：NoraAbad,AndresBellas,XermanaCarballido,NachoCastaño,RaúlDans
简介：有一天,Mumu正和她的朋友们Milo,Rita,Talalo,Alfred和Olga玩耍,忽然发现了一群雪白的羊群,她忍不住将自己的朋友们 和雪白的羊群之间进行比较.布偶们全部用不同的布拼接而成(它们有的甚至已经完全过时了),它们身上有着五颜六色的花点, 在田间水坑中玩耍.Mumu为她的伙伴们感到丢脸,她妒忌那些光鲜的羊,甚至觉得自己作为一头特别的母牛,正将自己的大好光 阴浪费在那些错误的朋友身上.
备注： 类型：韩国剧剧情,言情
地区/年代：香港/2019
主演：黎耀祥,陈豪,李佳芯,江美仪
简介：TVB 新劇《殺手》由兩大視帝擔任男主角，分別係黎耀祥及陳豪，故名思義二人當然係飾演殺手，祥仔親自介紹今次自己角色：「我係一個好Fit嘅殺手，不過係20年前，家道中落，所以有一個肚腩喺到。」其實今日（7日）公佈一眾演員造型，好多演員都相當突出，二人又點睇自己呢一身造型？陳豪表示：「就係要咁樣，女性要耀眼，令到大家眼前一亮，會令到我哋有睇佢哋興趣，而我哋就係核心，負責中和大家。」視帝雙雙出現，難免有鬥戲呢個情況出玩，祥仔笑言呢一點係必須嘅，陳豪指大家殺手嚟嘛，「自己幾鍾意呢一部劇，因為劇中會解構殺手係啲乜呢？唔只殺人，譬如有合約呀，邊個搵佢殺人，殺手同殺手之間又唔可以報仇，講好多殺手嘅事。」祥仔好認同陳豪講嘅說話，祥仔直言：「其實比較現實，大家都好人性，唔會再係以前嘅殺手，好浪漫化好假咁，我哋都要面對生活，大家都要搵食，現實要點掩飾。」二人近年轉移重心北上發展，香港劇集中甚少見二人出現，問到係咪香港劇集減產，一年拍一部？祥仔先回應：「其實唔係㗎，都冇特別去分，邊到有工作就做，咁香港我哋唔會離家，始終自己香港人，香港演員，我覺得戲喺地道文化好緊要，香港人拍香港戲俾大家睇，呢一樣始終離唔開。」陳豪指身為演員邊到有戲就會拍攝，所有事都係一種機會。
备注： 类型：韩国剧剧情,言情
地区/年代：中国香港/1997
主演：罗嘉良,张家辉,张可颐,林尚义
简介：无线科幻悬疑剧〈迷离档案〉，带您追查一宗宗无法解释的诡异个案，揭开一些不可思议力量的神秘面纱！高永贤（罗嘉良）为大学生物化学系教授，头脑冷静，笃信科学，反对迷信；文嘉利（张可颐）则是电视台信息节目的资料撰稿员，因曾亲历奇遇，所以对世上怪异的事皆「宁信其有，不信其无」。二人机缘巧合下一起合作，共同尝试寻找一些诡异个案的真相，其「天才白痴」、「轮迥」、「降头」、「邪教」、「异度」及「人间蒸发」等。二人在合作过程中，因所持观点有分歧，因此不时发生冲突，误会重重，但最终仍互相体谅，更渐渐成为情侣。一次，利为救贤而误丧刀下，贤为求利死而复生，须勇闯四度空间……
备注： 类型：韩国剧剧情,言情
地区/年代：英国/2020
主演：强尼·弗林,吉娜·马隆,马克·马龙,亚伦·普尔,保利诺·努内斯,安东尼·弗拉纳根,吉米·斯达,Ryan,Blakely,Jeremy,Legat,Richard,Clarkin,Roanna,Cochrane,Lara,Heller,Jorja,Cadence,Annie,Briggs,Monica,Parker,Allie,Dunbar,Olivia,Carruthers
简介：大卫·鲍伊的传记片真的来了。一部名为《星尘》(Stardust)的影片已在运作中，聚焦1971年，年轻的鲍伊第一次去往美国，激励了他创作出举世闻名的专辑和音乐形象“ZiggyStardust”。定由歌手兼演员约翰尼·弗林(《野兽》)饰演鲍伊。还有吉娜·马隆(《饥饿游戏》)饰演鲍伊的第一任妻子Angie，马克·马隆(《美女摔角联盟》)饰演他的唱片公司宣传。导演则宣布为GabrielRange(《我是奴隶》)，今年6月开拍。
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1959
主演：内详
简介：Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
备注： 类型：韩国剧剧情,言情
地区/年代：俄罗斯/2020
主演：朱莉娅·维斯托斯卡亚,弗拉迪斯拉夫·科马罗夫,Andrey,Gusev,尤利娅·布罗娃,Sergei,Erlish,Alexander,Maskelyne,Goga,Pipinashvili
简介：聚焦曾被苏联政府隐瞒的1962年新切尔卡斯克事件，工人罢工，子弹、血肉、背后事件、一个官员兼母亲的探寻和质疑。
备注： 类型：韩国剧剧情,言情
地区/年代：西班牙/2012
主演：TachoGonzález,ÁlvaroGuevara,玛贝尔·里维拉,RaúlDans,MontseDavila
简介：故事以Emilio和Miguel，这两位住在养老院中的老年人的友谊展开。当Emilio入院时，他已经是老年痴呆症早期，在Miguel和其他人的帮助下，他逐渐不再恐惧，适应了这里的生活。他们的友谊让冗长乏味的岁月充满了幽默与温暖。虽然生命就要到尽头，但对这两个老人来说生活不过才刚刚开始。
