备注： 类型：韩国剧剧情,言情
地区/年代：英国/2020
主演：强尼·弗林,吉娜·马隆,马克·马龙,亚伦·普尔,保利诺·努内斯,安东尼·弗拉纳根,吉米·斯达,Ryan,Blakely,Jeremy,Legat,Richard,Clarkin,Roanna,Cochrane,Lara,Heller,Jorja,Cadence,Annie,Briggs,Monica,Parker,Allie,Dunbar,Olivia,Carruthers
简介：大卫·鲍伊的传记片真的来了。一部名为《星尘》(Stardust)的影片已在运作中，聚焦1971年，年轻的鲍伊第一次去往美国，激励了他创作出举世闻名的专辑和音乐形象“ZiggyStardust”。定由歌手兼演员约翰尼·弗林(《野兽》)饰演鲍伊。还有吉娜·马隆(《饥饿游戏》)饰演鲍伊的第一任妻子Angie，马克·马隆(《美女摔角联盟》)饰演他的唱片公司宣传。导演则宣布为GabrielRange(《我是奴隶》)，今年6月开拍。
备注： 类型：韩国剧剧情,言情
地区/年代：巴西/0
主演：Murilo,Benício,Milton,Gonçalves,Rogério,Trindade,Fabiula,Nascimento,Hermila,Guedes,Juliano,Cazarré,Rodrigo,Einsfeld,Henrique,Neves,Osvaldo,Baraúna,Nando,Cunha
简介：巴西电视连续剧，一共三季，共30集Centersonday-to-dayoperationsofthelawenforcementagencythatinvestigatescrimescommittedbythepoliceitself.Thetaskforcewillloseoneofitsmemberswhilepursuingadeathsquad,whileteamleaderLieutenantWilson’srelationshipwithhisfiancéeJackie,anursewhodreamsofsettlingdownandraisingafamily,willgainanaddedtwistanddramawhenshefindsoutsheispregnant,leadingtheobsessiveandtormentedlieutenanttoquestionhisjobandtofearbecomingmorevulnerable.
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1959
主演：内详
简介：Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
备注： 类型：韩国剧剧情,言情
地区/年代：俄罗斯/2020
主演：朱莉娅·维斯托斯卡亚,弗拉迪斯拉夫·科马罗夫,Andrey,Gusev,尤利娅·布罗娃,Sergei,Erlish,Alexander,Maskelyne,Goga,Pipinashvili
简介：聚焦曾被苏联政府隐瞒的1962年新切尔卡斯克事件，工人罢工，子弹、血肉、背后事件、一个官员兼母亲的探寻和质疑。
备注： 类型：韩国剧剧情,言情
地区/年代：台湾/2016
主演：王力宏,Kheng,Long,Goh,Grecco,Buratto,Eric,Holden
简介：《火力全开》主要描述了王力宏火力全开演唱会从台前幕后准备到成型再到演出的全纪实，并且在其中穿插很多他从小到大的励志往事，还首次对于其妻子对外进行曝光。《火力全开》记录的不只是一场表演，更记录了这场演唱会从筹备到完成的思想和精神。这部电影忠实记录华语流行演唱会在现今的状态，并呈现出王力宏的音乐创作概念与历程、舞台下平易近人又生活化的一面，以及对梦想的坚持和发光。无论观赏《火力全开》3D电影的观众们是不是王力宏的歌迷，都能从中一窥音乐之于世界的力量，成为东西文化交流的种子。
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1985
主演：Anemone
简介：格拉汉姆（米歇尔·皮寇利MichelPiccoli饰）和妻子薇薇安（阿娜伊·让纳雷AnaïsJeanneret饰）共同养育着他们的女儿，为了让女儿学习吉他，格拉汉姆找来了名为大卫（克里斯托弗·马拉沃伊ChristopheMalavoy饰）的音乐老师，不出所料的，大卫很快就和性感美艳的薇薇安搞在了一起。一天夜里，大卫遭到了陌生人的袭击，所幸得到了一个名叫丹尼尔（理查德·波林热RichardBohringer饰）的男人的救助才逃过一劫。大卫和丹尼尔很快就成为了朋友，丹尼尔告诉大卫，自己是一名杀手，而他要杀的人不是别人，竟然正是格拉汉姆。大卫怀疑格拉汉姆早就知道了自己和薇薇安的奸情，他决定利用大卫出掉他。
备注： 类型：韩国剧剧情,言情
地区/年代：德国/2017
主演：维兰德•施佩克,罗萨·冯·布劳恩海姆
简介：柏林常以一种富有亚文化的形象示人，西柏林的酷儿文化则是其中的重要一面。这里不仅有活跃的派对文化、性别的多样性，更产生了种独具特色的俱乐部。此外，同性恋博物馆、艾滋病援助组织和柏林电影节泰迪熊奖等各类与之相关的组织和活动纷纷在此建立阵地。事实上，酷儿文化在柏林的诞生与发展 并不顺利：1969年之前，同性恋会被政府抓捕和定罪。但西柏林的同志群体依然顽强存活，把这座城市发展成属于同志群体的大都市。七十年代末，西柏林迎来性自由、政治自由和社会融合的高潮时代；但辉煌之下，侵袭全球的艾滋病也让酷儿文化蒙上一层阴影。 该片将镜头对准西柏林的同志群体，记录他们从二战后到柏林墙倒塌前的生活。包括政治活动家、俱乐部经营者、音乐家、时装设计师等各类群体描绘了种种历史事件的生动场面。影片同时也公开了罕见档案材料，带领观众穿越时空，领略西柏林的历史与文化魅力。（小易甫字幕组）
备注： 类型：韩国剧剧情,言情
地区/年代：土耳其/2008
主演：Kaya,Akkaya,Ege,Ardic,Devrim,Atmaca
简介：母亲的去世让女孩丹兹（IpekDeger饰）陷入了巨大的悲痛之中，她希望童话里的彼得潘能够来到现实之中，将她带往没有悲伤和痛苦的梦幻岛。在好友艾玛（FiratYalçin饰）的帮助和鼓励之下，丹兹决定直面惨淡的现实，和好友一起努力去建立属于她们的梦幻岛，一晃眼多年过去了，丹兹和艾玛早已经长大成人，让丹兹没有想到的是，可怕的病魔让一直都非常坚强的艾玛陷入了昏迷之中，随时都有生命危险。绝望的丹兹再度想到了梦幻岛，于是她坚决的踏上了寻找魔法粉的旅程，在途中，丹兹邂逅了名为塞姆（穆罕默德·阿里·努罗谷MehmetAliNuroglu饰）的男孩，两人之间碰撞出了火花。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2013
主演：保罗·沃克,Naima,McLean,Gys,De,Villiers,Leyla,Haidarian,Tshepo,Maseko
简介：美國假釋犯(保羅沃克飾)來到南非約翰尼斯堡，希望與前妻重修舊好。預先租好的車子原本應該在機場等他，但租車公司卻給了他不同的車。不知情的他決定不跟租車公司計較，上了車之後，一連串不可思議的事件接二連三發生…。車上的一支神秘手機、一通神秘簡訊、一把手槍、後車廂一個被綑綁的陌生女子，引發全市警察的窮追不捨，讓他陷入前所未有的危機！握緊方向盤，油門摧到底，他決定極速求生，奮力一搏…！《玩命關頭》系列動作巨星保羅沃克，再飆極速快感！美國假釋犯來到南非約翰尼斯堡，卻遭遇到不可思議的事情接連發生，他決定握緊方向盤，油門摧到底，他決定極速求生，奮力一搏…！沃克在异国游中除了租到一辆车之外，还获得了额外奉送的大礼——一把枪和一名女人质，这让他陷入险局。
备注： 类型：韩国剧剧情,言情
地区/年代：法国,加拿大/1979
主演：凯瑟琳·德纳芙,雅克·迪特隆,雅克·维列雷,保罗·普雷博伊斯特,贝尔纳·勒科克,吉尔贝特·热尼亚,杰奎斯·高丁,莫妮卡·梅莉南,埃米尔·热内,丹尼尔·奥特伊,齐雅拉·马斯楚安尼
简介：西蒙的父亲一个声名狼藉的歹徒,他不想和父亲一样要在监狱里度过余生，所以他设法逃脱,在叔叔的帮助下，他在故乡找到了一个藏身的地方，然而他必须与一个从事勒索的女子Franoise共同住。一天他们的藏身之处被警察发现了，西蒙和Franoise苍茫逃走。就在他们亡命天涯的同时，两人之间产生了一段可歌可泣的爱情......关于导演：克劳德．雷路许（ClaudeLelouch）奖不完的法国国宝级大导演，从他在坎城或威尼斯影展的年表中，不是开幕片、闭幕片，就是竞赛片，就可看出他在国际影坛的崇高地位。出道至今拍片已超过四十部，尤其对男女之间爱情的纠葛描述最为精湛，旁及战争、社会百态、文化落差的探讨，风格唯美独领风骚。他以剧中演员移位、绕摄取景方式，更显雄伟气势最具特色。
