备注： 类型：韩国剧剧情,言情
地区/年代：爱尔兰/2017
主演：Frank,Drake,Carolyn,Porco,John,Casani,Lawrence,Krauss
简介：Is it humankind's greatest achievement? 12 billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space. It is the first human-made object ever to do so. Slowly dying within its heart is a plutonium generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity and all our creations. It could be the only thing to mark our existence. Perhaps some day an alien will find it and wonder. The story of Voyager is an epic of human achievement, personal drama and almost miraculous success. Launched 16 days apart in Autumn 1977, the twin Voyager space probes have defied all the odds, survived countless near misses and almost 40 years later continue to beam revolutionary information across unimaginable distances. With less computing power than a ...
备注： 类型：韩国剧剧情,言情
地区/年代：中国/2007
主演：黄秀妹,蔡俊琼
简介：2004年夏日,23岁的秀秀抱着9个月的婴儿,坐火车到一个看守所看望已成囚犯的养母。 20年前,3岁的秀秀在湖南省一个小城被诱拐,并被带到福建农村作为童养媳而养育.养母就是诱拐她的人.但是,养母没有想到,三岁的秀秀一直没有忘记她在被拐走时的情景。 20年后,秀秀依据童年时的模糊记忆,开始借助媒体寻找亲生父母.鉴于中国现在每年仍有上万名儿童失踪,公安部决定借助秀秀寻亲事件推动全国打击拐卖儿童的犯罪活动,秀秀为此成为全国传媒的新闻人物.她没有想到, 对她有着养育之恩的养父母会为此而入狱。 养父母一家失去生活支柱,处于崩溃的边缘.老奶奶患上了癌症,无钱医治;9岁的小弟被狗咬; 18岁的阿琼不知如何才能面对现实、她恨不得能逃离这个家庭,甚至逃离已来到身边的恋情。 就这样,在血缘亲情与养育之恩的矛盾当中,秀秀来到监狱探视养母.她告诉养母, 老奶奶已是癌症晚期,自己正在争取让养母获许回家见上最后一面.养母泣不成声。 在公安的特别押送下,秀秀与养母一起踏上了归途。 火车上,秀秀面对戴着手拷的养母,禁不住问起她一直憋在心底的疑惑:为什么养母一家都说自己并非是被诱拐回来的?为什么养母当时会认为自己是被遗弃的孩子? 秀秀3岁时的记忆与养母20年前的记忆,谁是谁非? 正在家中蔓延的癌症,如何等待着她们的归来?
备注： 类型：韩国剧剧情,言情
地区/年代：英国/2011
主演：斯蒂芬·弗雷
简介：这是一部关于恐龙的科教记录片,北极：7千万年前。一个极端的世界。夏季的阳光变成了24小時严寒的夜晚。恐龙们不得不做出选择，勇敢的向南迁徙以寻找阳光。一段充满了暴风雪，火山爆发和致命狩猎者的危险旅程，一个年轻的埃德蒙頓龙开始了他的第一个千里迁移.片中令人惊叹的CG动画和精心构建的数码世界，可以說是真正的恐龙电影演变,令人震撼.TheArctic:70millionyearsago.Itisaworldofextremes.Tropicalsummersof24hrsunlightarereplacedbyfreezingwintersofcontinuousnight.TheremarkabledinosaursthatlivedundertheNorthernLightshadtomakeachoice,bravethewinterorheadsouthtofindthesun.JoinScar,ayoungEdmontosaurusembarkingonhisfirstthousand-milemigration.Itisajourneyforsurvivalthatisfraughtwithdanger;blizzards,volcaniceruptionsanddeadlypredatorslieahead.MeanwhilePatch,ajuvenileTroodon,leftaloneintheNorth,mustlearntosurviveinoneoftheharshestenvironmentstheEarthhaseverknown.Thisepicfeature-lengthadventureportraysanincrediblepolarodysseythatactuallyhappenedbuthasneverbeenwitnessedbefore.BasedonrecentfossilevidenceblastedoutoftheicearoundtheNorthPole,themakersof’’WalkingwithDinosaurs’’and’’PrehistoricPark’’aredelightedtointroduceyoutoanall-newcastofdinosaurs,fromfeatheredtyrannosaurstogiantmarinepredators.Featuringstunninganimationandapainstakinglyrecreateddigitalworld,itcantrulybesaidthatthedinosaurfilmhasevolved.
备注： 类型：韩国剧剧情,言情
地区/年代：法国,哥伦比亚,巴西/2020
主演：Luis,Felipe,Lozano,Fernando,Úsaga,Higuíta
简介：平克正在逃亡。夜里，空旷的街道上弥漫着末日的气息，整个城市似乎都在燃烧。麻醉剂在静脉和空气中打旋。他已经从某个“教士”领导的教派控制中解脱出来，决心掌握自己的命运，现在藏身于一家非法T恤工厂。平克寻找着末路之光，但鬼魂始终在他的周围游荡。这部实验性作品以哥伦比亚麦德林为背景，描绘了一个逃离危险邪教的年轻人的故事。
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1959
主演：内详
简介：Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
备注： 类型：韩国剧剧情,言情
地区/年代：台湾/2016
主演：王力宏,Kheng,Long,Goh,Grecco,Buratto,Eric,Holden
简介：《火力全开》主要描述了王力宏火力全开演唱会从台前幕后准备到成型再到演出的全纪实，并且在其中穿插很多他从小到大的励志往事，还首次对于其妻子对外进行曝光。《火力全开》记录的不只是一场表演，更记录了这场演唱会从筹备到完成的思想和精神。这部电影忠实记录华语流行演唱会在现今的状态，并呈现出王力宏的音乐创作概念与历程、舞台下平易近人又生活化的一面，以及对梦想的坚持和发光。无论观赏《火力全开》3D电影的观众们是不是王力宏的歌迷，都能从中一窥音乐之于世界的力量，成为东西文化交流的种子。
备注： 类型：韩国剧剧情,言情
地区/年代：法国/2019
主演：Nathan,Willcocks,热拉尔·朗万
简介：对于野生动植物而言，阿尔卑斯山的环境充满艰难险阻。这是一片极端之地，深受人类影响。一头被驱逐出群的雌狼，为了养育幼崽，必须找到一处安全之所。她这一路不仅困难重重，还会跟从熊类到金雕等诸多已经成功在阿尔卑斯山安家的动物狭路相逢。每一种动植物，都在展现它们如何能在这片充满考验的地方生存。同时，它们还揭示了团结的力量——这堪称动植物世界里最令人惊奇的生存策略之一。那些彼此帮扶的生命，才能成功存活。《庇护所：阿尔卑斯山求生记》作为一部震撼又壮美的纪录片，讲述着欧洲腹地深藏的那些鲜为人知的动植物生存故事。
备注： 类型：韩国剧剧情,言情
地区/年代：德国,以色列,法国/2009
主演：Dana,Ivgy,莫尼·穆索诺夫,罗内特·艾尔卡贝兹,Mahmud,Shalaby,Hussein,Yassin,Mahajne,Roy,Assaf,Lili,Ivgy,Zenabh,Mahrab,Suma,Zenabh,Dalia,Beger,Nahman,Ashkenazi,Amir,Busheri,Moris,Cohen,Lizi,Goren,Solita,Hadad
简介：这部女导演克伦·叶达雅的戛纳电影节参映影片，讲述由一个年轻犹太姑娘与一个阿拉伯技工的真挚感情所引发的令人痛心的悲剧故事。素以“海的新娘”著称的历史古城——以色列的雅法【特拉维夫的一部分。以色列第二大城市特拉维夫的全称其实是特拉维夫-雅法，它是两个相邻的城市合并而成的。1947年，联合国关于巴勒斯坦的分治决议，建议雅法(当时人口为10万，包括3万犹太人)归阿拉伯人所有；特拉维夫(当时人口23万)归犹太人所有。1948年，以色列军队占领了雅法，城中的阿拉伯人纷纷逃亡。1950年，特拉维夫将雅法老城兼并，取名为“特拉维夫-雅法”，并延用至今。】。这个城市的中心街区，开着一家世袭的家族企业——车铺。业主鲁文·沃尔夫ReuvenWolf（莫尼·莫绍诺夫饰）有一双成年子女，玛莉Mali（达娜·伊维吉饰）和梅厄Meir（罗尼特·埃尔卡贝茨饰）。巴勒斯坦青年陶菲克Toufik（穆罕默德·沙拉比饰）和他的父亲哈桑Hassan（侯赛因·亚辛·马哈因饰）在鲁文的车铺里工作。一直没有人怀疑实际上已经相爱多年的玛莉和陶菲克之间会有过什么。随着这对情人秘密地安排着他们的婚礼，梅厄与陶菲克之间的紧张关系便开始升级......
备注： 类型：韩国剧剧情,言情
地区/年代：中国香港/1994
主演：黄子华,廖啟智,陳佩珊,温碧霞,潘芳芳
简介：本片具有极大的讽刺意味。底层劳动人民沙甸鱼（黄子华饰）为人老实，是一家超市的职员。兢兢业业的工作并没有令沙甸鱼赢得大家的肯定，反而经常受到取笑。沙甸鱼一直都是租房居住，最近更被业主贝太（潘芳芳饰）逼迁，加上女友一直逼他买房结婚，然而微薄的工资却始终不够，沙甸鱼好不烦恼。一个晚上，贝太与女儿Anna（温碧霞饰）吵架后来到沙甸鱼家，想找他出气，岂料最后竟然酗酒加服药猝死沙甸鱼家中。本来就已经烦恼缠身的沙甸鱼，这下更惹上了大麻烦，渐渐越陷越深……
备注： 类型：韩国剧剧情,言情
地区/年代：俄罗斯/2019
主演：内详
简介：去年洛迦诺国际电影节的一部纪录片，流浪犬莱卡是第一个被送到太空，并因此丧命的苏联太空犬。传说中，莱卡以鬼魂的身分返回地球，与其后代在莫斯科街道上漫游。镜头追随着莱卡的踪迹，以狗的视角追寻街头流浪犬的生存路径，交错着1960年代，苏联太空计划动物实验的影像档案，重新漫游在虚构文本、太空档案与现实隐喻中。
