备注： 类型：韩国剧剧情,言情
地区/年代：保加利亚,希腊/2019
主演：内详
简介：「你過世的母親打來了！」親戚尖叫後就昏倒送醫，留下昨天才剛辦完喪禮的父子倆面面相覷。工作死線在即，還得安撫妻子的焦慮，兒子帕夫卡歸心似箭，但父親瓦西爾卻堅信「鬼來電」中藏有重要訊息，執意踏上靈性溝通之旅。同事家庭兩面夾擊，講不聽的父親令人放不下心，帕夫卡能不能透過這趟荒謬的公路之旅，體會與父親糾葛難解的親情真諦？《我曾侍候過英國國王》男主角伊凡博爾涅夫飾演蠟燭多頭燒的兒子，將中年危機的焦慮發揮到淋漓盡致。多場精彩的父子對手戲，深刻描繪當家庭緩衝的母親逝世後，父子該如何摸索出相互理解的語言。保加利亞著名創作搭檔克莉絲緹娜格羅澤娃、彼塔瓦恰諾夫三度攜手合作，改編自個人家庭經歷，除了以冷調的黑色幽默刻劃現代家庭寓言外，更隱約帶出該國複雜的近代歷史。
备注： 类型：韩国剧剧情,言情
地区/年代：法国/1959
主演：内详
简介：Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
备注： 类型：韩国剧剧情,言情
地区/年代：韩国/2010
主演：内详
简介：《魔法千字文》改编自韩国同名教育漫画。该漫画自2003年年底问世后已发行15册，销量达850万部，取材于中国古典神话名著《西游记》，每册都有20个汉字出现。书中的混世魔王高喊着“尝尝热的滋味吧，着火的火”进行攻击，唐僧则默念“流水的水”来应招。这种方式自然而然地达到了学习汉字的效果，深受小学低年级学生的欢迎。之后《魔法千字文》还推出了网游、音乐剧以及这部大银幕电影版。
备注： 类型：韩国剧剧情,言情
地区/年代：新西兰 / 澳大利亚/2019
主演：内详
简介：探索精神、幸福和宗教的主题，这是6位来自新西兰和澳大利亚的陌生人在800公里的卡米诺圣地亚哥步行，克服生活给他们带来的个人和身体创伤的励志之旅。通过水泡，胫骨夹板和热量，卡米诺强迫朝圣者挑战他们的年龄和身体能力，同时也作为一个改变的催化剂。《卡米诺天空》既令人心碎又鼓舞人心，是一个让人振奋的故事，讲述的是日常生活中人们做的不平凡的事情。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2018
主演：内详
简介：HBO Documentary Films拿下纪录片《The Cold Blue》的美国电视版权，聚焦二战期间美国第八空军执行多项致命任务的故事，将在纽约电影节放映，明年6月播出。 该片包含奥斯卡获奖导演威廉·惠勒拍摄的纪录片《孟菲斯美女号》的修复版4K和新的镜头，1943年他前往欧洲记录正在进行的空战，并在B-17轰炸机上执行实战任务，期间他的一名摄影师被杀。所有这些彩色原片都是最近在国家档案馆的储藏室里发现的。 第八空军鼎盛时期是世界上最强大的空军，在1945年初战争的高峰时期，第八空军可以同时派出2000名轰炸机和1000名战斗机，参与了二战的35万空军中有2.6万人壮烈牺牲。
备注： 类型：韩国剧剧情,言情
地区/年代：丹麦/2011
主演：内详
简介：11岁的乔纳森（马库斯·瑞格德 饰）经常和自己的爷爷一起在一片巨大的树林边上度假，关于这个树林有一个传说：里面居住着巨大的神奇动物。这一年，乔纳森的平静的度假生活被自己的小妹妹索菲打破了，她加入到了乔纳森和爷爷之间，也在这里度假。乔纳森一点都不喜欢这个小妹妹，所以竭尽全力的躲避她。乔纳森“成功”了，一头1000岁的巨熊绑架了索菲。可是这个突如其来的事情完全出乎乔纳森的意料。现在，他只有克服自己的恐惧，步入森林深处，面对着居住在那里的怪物，救出自己的妹妹。
备注： 类型：韩国剧剧情,言情
地区/年代：中国大陆/0
主演：内详
简介：出品单位: 北京牧马潮白影视文化传播有限 本片讲述了春秋时期晋国大将屠岸贾谋害忠直大臣赵盾，不择手段地杀害了赵家300余口，只有赵盾之孙襁褓中的婴儿被程婴救出。屠岸贾发现有人偷偷救出孤儿后，竟下令残杀国内所有一月以上半岁以下幼儿。程婴为保全孤儿和全国幼儿，毅然献出自己的儿子冒顶孤儿，最后老臣公孙杵臼与程婴之子被害，赵氏孤儿得以保全。程婴带着孤儿在藏山躲避15年，之后长大成人的赵武在大臣们的帮助下，诛杀屠岸贾，报仇血恨，程婴以拔剑自刎告慰死去的亲人和朋友……
备注： 类型：韩国剧剧情,言情
地区/年代：中国大陆/2016
主演：内详
简介：洛小熠无意中救下了一只名叫“阿迪”的宝贝龙，神奇的是阿迪身上没有星龙应具备的属性，但却似乎隐藏着一股被压制但又随时会爆发的可怕能量，正乎？邪乎？几乎同时，封印着世上最黑暗邪恶力量的星印罗盘突然降临龙武族，并有解封之势，龙武族顿时乱成一团，人心惶惶。传说星印罗盘一解封，人界和星龙界必将被黑暗势力吞噬！长老们立刻召集六位斗龙战士和众星龙商议对策，当务之急唯一的办法就是到黑暗古城找到星圣剑来对抗。随之，阿迪的神秘身份也被揭开……
备注： 类型：韩国剧剧情,言情
地区/年代：俄罗斯/2019
主演：内详
简介：去年洛迦诺国际电影节的一部纪录片，流浪犬莱卡是第一个被送到太空，并因此丧命的苏联太空犬。传说中，莱卡以鬼魂的身分返回地球，与其后代在莫斯科街道上漫游。镜头追随着莱卡的踪迹，以狗的视角追寻街头流浪犬的生存路径，交错着1960年代，苏联太空计划动物实验的影像档案，重新漫游在虚构文本、太空档案与现实隐喻中。
备注： 类型：韩国剧剧情,言情
地区/年代：美国/2020
主演：内详
简介：故事背景设定在 1970 年代初期的胡士托近郊，一个将解散的身心障碍青年夏令营展开一场平行的转变，为身心障碍者权利运动揭开序章，从此永远改变年轻人的生活和美国的历史。本片由吉姆·莱布雷希特 (Jim LeBrecht) 和妮可·纽纳姆 (Nicole Newnham) 执导（前者正是该夏令营的学员），两人也与莎拉·博德 (Sara Bolder) 共同担任制作人，监制则为浩尔德·格特勒 (Howard Gertler)。
